Thanks for the replies.
As you have said, stability criteria is valid for single stage amplifiers only but it gives an idea about entire stability of cascaded stages.
Not quite. It is the very question I was asking. I don't know that that is actually true. In the simulation softwares I have managed to get a look at, the S-Parameters of the matching sections, and the devices in between, are all cascaded to make an equivalent 2-Port network.
If it is OK to consider a "stage" as one device cascaded with two passive "stages", these being the matching sections, our "stage"
is already a 3-stage thing. From there on, all the Nyquist based stability expressions are based on S11, S22, and their conjugates S11* and S22*, and we can have plots of K, or MU, and others, meaning the whole lot taken together!
It seems logical that the entire network, with 2 active devices between 3 passive sections is actually a
5-stage cascaded network presented as a 2-port equivalent. The criteria are labelled slightly differently in some available softwares, but they are all there. The simulation software will provide a plot of MU, regardless. Also, meddling with the components produces changes and optimizations that seem not confined to 1-stage setups.
Friendly and Unfriendly Terminations
Part-way through building up the stages, you might have a potentially unstable stage which goes stable if offered the right terminating impedance, coming from the next stage that is to be added on. More often, you work to make a stage stable, only to find it goes badly wrong when you add the next stage. The matching sections may be fine for the frequencies of interest, but make unfortunate things happen at other frequencies where the devices have a whole lot of (unwanted) gain that can give you trouble.
I am thinking the stability criteria are valid for the whole lot put together - but not having seen an example of stability plots applied to more than one stage,
I am still not sure! We can all accept that if you have each stage unconditionally stable, then the stages joined together will also be. Some of this carries the suggestion that the matching network
between the stages has to be an equivalent reworked from two, so you don't have to visit 50 Ohms in the middle. Here is where I noticed how a messed up stage could become stable when offered the input of the next stage with matching in between.
Hopefully, we can get a hint from a member who has wide experience with stable (or unstable!) designs.